Friday, April 10, 2009

IP Freely

Modern day pirates aren’t solely from Somalia; they can be found anywhere there is Internet access. Intellectual Property, copyright concerns, and P2P piracy are growing problems. Years ago, Lester Faigley made the analogy that finding information online is like drinking from a fire hose; when information is so bountiful, comes from so many different streams, washes over us in waves, we take it for granted. The drink has numbed our senses to IP issues. Walter Benjamin’s influential “The Work of Art in the Age of Mechanical Reproduction” is an important article to read when pondering ownership; I wonder if the text would be too difficult for my freshmen to read to get them thinking about IP: it would be a great discussion piece.

Most of my students know Napster only from its infamy, not from having actually used it; but that is not to say they don’t use other P2P file sharing software. When it comes to the argument essay assignment, I always have at least one student who wants to write about P2P downloads and the RIAA. They are familiar with the issue, but not knowledgeable about it. The segue would be great: we would talk about the popular “pirates versus ninja” debates which would transition neatly into the movie anti-piracy ads and on to a site like http://www.ninjavideo.net/ where the class could see thievery in action. (I wonder, would showing such a site—not necessarily any of its content, just the site itself—cause legal problems?)

Youku.com, the Japanese YouTube, has far fewer restrictions as to its content: viewers can find shows that have been removed from YouTube for copyright. I don’t know much about international copyright law, but it would be an interesting case study for students to look at. How do different cultures view IP matters? How can IP laws in the states be enforced across the globe? Can they be? What are the ramifications of that enforcement? Intellectual property provides delicious food for thought.

3 comments:

  1. Cody, We must have been posting our messages about culture and copyright at just about the same time.

    What is P2P and RIAA?

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  2. Cody, I'd love to take a look at the Walter Benjamin article. Can you provide a fuller citation than “The Work of Art in the Age of Mechanical Reproduction”? I'm short of time to browse looking for it.

    You've come up with some interesting ideas/perspectives for your class.

    Do you know the following resources? They have lots of stuff for students to poke around in concerning IP issues:

    Electronic Frontier Foundation, http://www.eff.org/
    "Blending the expertise of lawyers, policy analysts, activists, and technologists, EFF achieves significant victories on behalf of consumers and the general public. EFF fights for freedom primarily in the courts, bringing and defending lawsuits even when that means taking on the US government or large corporations."

    First Monday, http://firstmonday.org/
    "First Monday is one of the first openly accessible, peer–reviewed journals on the Internet, solely devoted to the Internet.

    Center for Democracy and Technology, http://www.cdt.org/
    "The Center for Democracy and Technology works to promote democratic values and constitutional liberties in the digital age."

    I had the library put these sources among the Web Resources on my Library Course Guide. Students can use them for a bunch of research topics involving the Internet.

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  3. Dr. K: I was first introduced to the Benjamin article by Dr. Moberly. Unfortunately, the D2L course where we read the article is now closed and I cannot access the PDF of the file. The Wikipedia page for the article has a link to a translated copy, however. I am not sure of it's quality. I've heard of several of the sources you've listed, but haven't looked into them much. I think they're referenced every so often on TechRhet.

    Effie: RIAA is an acronym for the Recording Industry Association of America. P2P is an acronym for Peer-to-Peer.

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